Recently, I given the good news that my short-story collection–When You Find Us We Will Be Gone–was recently longlisted for the Frank O’Connor Short Story Prize. This is the first–and probably only time–I will share a list with Margaret Atwood. Top prize is 25,000 Euros! You can see the list here.
My debut collection of short stories–When You Find Us We Will Be Gone–is now available to purchase on Amazon and Barnes and Noble. It also available to pre-order in the UK through the UK Amazon site.
Today sees publication of one my recent stories, “Take It From Me, Kid, I’m a Clown.” Published by Lunch Ticket (Antioch’s MFA literary magazine), the story is available to read for free on the interwebs. Here’s the opening: “Listen kid, I know it’s your birthday and all, that you only turn ten once, and that […]
Last fall in my fiction class we looked over the rules of several famous and successful writers in this Guardian article and came up with our own list of rules. Mine is below: Write for one hour a day. Minimum. Try not to make the story predictable. Surprise yourself. Create an ending where people say […]
If you’re starting out and can’t tell your Chekhov from your Gogol, an excellent place to begin is to read a historical and taxonomical evaluation of the modern short story. Luckily for you, it’s dealt with in excellent detail in William Boyd’s article, “A Short History of the Short Story.” Over the years, the books […]
Pre-1978 The Best American Short Story series had a single editor. For decades, from 1915 to 1941, Edward O’Brien fulfilled this role. After his death, Martha Foley took over. Raymond Carver mentions Foley’s importance for American short fiction during his superb 1983 interview with The Paris Review: INTERVIEWER Is it true—a friend of yours told […]
The Best American Short Stories 1988 was a strange collection of work. From Raymond Carver’s “Errand” (a story of almost all summary and filled with a heavy dose of biographical material taken from Henry Troyat’s Chekhov) to Majorie Sandor’s enigmatic “Still Life,” there was a wide berth of subject matter, character, and thematic emphasis. Interestingly, […]